W. A. Mozart's treatment of the tonic triad in the first movement of the violin concerto in A major, K. 219

Jung, Ji-Woon

Indiana University

W. A. Mozart's treatment of the tonic triad in the first movement of the violin concerto in A major, K. 219

Jung, Ji-Woon

Keywords: Mozart; Wolfgang Amadeus; Leopold; Mozart as violinist; Mozart in 1770s; Journeys to Italy; Mozart's violin concertos; Single movements for violin and orchestra; Autograph; Verschollen; Gabriel Banat; Performance matters on Mozart's violin music; Jung; Ji-Woon; Violin Concerto No. 5; A Major; K. 219; KV 219; First movement; Allegro aperto; Aperto meaning; Aperto tempo; Sonata form; Concerto form; Opening tutti; Adagio introduction; Adagio; Adagio violin solo; Exposition; Development; Recapitulation; Analysis; Analytic approaches; Schenkerian approaches; Melodies; Phrases; Phrasing melodies; Structural notes; Patterns and sequences; Registers; Harmonies; Cadences; Rhythm and meter; Hypermeter; Formal structure; Tonic chord; Tonic triad as motive; Tonic-dominant relationship in phrases; Musical sentence; Elision; Phrase expansion; Extension; Interruption; Modulation

URI: https://hdl.handle.net/2022/19001

Date: 2014-10-02

Rights: Attribution Non-commercial Share Alike (by-nc-sa)

Type: D. Mus.

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