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dc.contributor.author Clark, Walter Aaron
dc.date.accessioned 2013-04-26T18:00:55Z
dc.date.available 2013-04-26T18:00:55Z
dc.date.issued 2011-10
dc.identifier.uri http://hdl.handle.net/2022/15490
dc.description.abstract One of the most significant events in the history of Ibero-American musicology is certainly the launching, almost 33 years ago, of Robert M. Stevenson’s journal Inter-American Music Review. Unique in conception as well as execution, it became a major venue for leading research on an impressively wide array of topics, covering all of the Americas and related themes in Europe, Africa, and Asia. Inter-American Music Review was notable precisely because there was nothing else like it. Though its name recalled Béhague’s equally important Latin American Music Review, the scope of Stevenson’s journal was larger. A random sampling of titles illustrates this point: “Pedro de Escobar: Earliest Portuguese Composer in New World Colonial Music Manuscripts,” “Brahms’s Reception in Latin America, Mexico City: 1884-1910,” “Charles Louis Seeger, Jr. (1886-1979): Composer,” “Ignacio Jerusalem (1707-1769): Italian Parvenu in Eighteenth-century Mexico,” “Marianna Martines = Martínez: Pupil of Haydn and Friend of Mozart,” and “Albéniz in Leipzig and Brussels: New Data from Conservatory Records.” Numerous distinguished scholars contributed to this journal, though many of the articles were written by Stevenson himself, as were the reviews. The amount of seminal research IAMR featured over three decades is staggering, research that, in most cases, would not have found any other viable outlet. Indeed, IAMR may constitute Stevenson’s single most important contribution to musicology. This paper surveys the history of IAMR, providing an overview of its content and presentation, highlights from its 30-year career, and insights into its genesis and editorial procedures from the founder/editor himself. en
dc.language.iso en_US en
dc.publisher Latin American Music Center en
dc.subject Conferencia en
dc.subject Cultural en
dc.subject Cultural Counterpoints en
dc.subject Interactions en
dc.subject Latin America en
dc.subject Latin American Music Center en
dc.subject Music en
dc.subject Musical en
dc.subject Música en
dc.subject Música Latinoamericana en
dc.subject United States en
dc.subject Fiftieth Anniversary en
dc.subject 50th anniversary en
dc.subject Robert M. Stevenson en
dc.subject Inter-American Music Review en
dc.subject Ibero-American musicology en
dc.subject Gerard Béhague en
dc.title Robert M. Stevenson’s Inter-American Music Review: Thirty Years of Landmark Publishing [full paper] en
dc.type Article en


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