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Cultural Counterpoints: 50th Anniversary of the LAMC

Cultural Counterpoints: 50th Anniversary of the LAMC

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CULTURAL COUNTERPOINTS: Examining the Musical Interactions between the U.S. and Latin America

As a celebration of its 50th Anniversary, the Indiana University Latin American Music Center presented a conference addressing historical and current musical exchanges between the U.S. and Latin America. The conference took place on Oct. 19-23, 2011.

Papers and presentations discussed the effects and impact of musical exchanges between the U.S. and Latin America, addressing diverse historical periods and repertoire streams (art-, urban, popular or traditional music; film and commercial music; etc.), and aspects of the musical phenomenon (such as compositional style, specific works, aesthetics, analysis, documentation, reception, migration, performance practice, etc.)

Recent Submissions

Title: Gerard Béhague: from Panamericanism to Multiculturalism [abstract only] Author: Volpe, Maria Alice Date: 2011-10
Title: Ginastera in Washington: Correspondence with Copland and Spivacke at the Library of Congress [full paper] Author: Schwartz-Kates, Deborah Date: 2011-10
Title: Revisiting Copland’s Mexico [abstract only] Author: Saavedra, Leonora Date: 2011-10
Title: Cuban Art Music in the U.S. before and after the Cuban Revolution [abstract only] Author: Quevedo, Marysol Date: 2011-10
Title: Somos Iguales: Cuban Hip-Hop in the Age of Social Networks [full paper] Author: Pereira, Alyssa Date: 2011-10
Title: Save the Children or Save the Music: Venezuela’s El Sistema as Syncretic Aesthetic and Pedagogical Export [full paper] Author: Pedroza, Ludim R. Date: 2011-10
Title: Inter-American Musical Encounters During the Cold War: Festival of Spain and the Americas, Madrid, 1964 [full paper] Author: Payne, Alyson Date: 2011-10
Title: Walt Disney and Diplomacy: The Musical Impact of Aquarela do Brasil [full paper] Author: Berndt Morris, Elizabeth; Morris, Charles Date: 2011-10
Title: Ragtime traces in the Brazilian choro Segura ele! [Hold him!] by Pixinguinha: composition and performance hybridization after the trip to Paris in 1922 [full paper] Author: Borém, Fausto; Moreira Júnior, Nilton Antônio Date: 2011-10
Title: Musical Analysis of 16 Poesilúdios for Piano, by Almeida Prado, According to Analytical Techniques Developed by American Theorists [full paper] Author: Moreira, Adriana Lopes da Cunha Date: 2011-10
Title: The Danzón and Caribbean Musical Influences on Early Jazz [abstract only] Author: Moore, Robin Date: 2011-10
Title: Audioscapes: Interpreting Nationalistic Perspectives Through Transnational Death Metal (Band: Brujeria) [abstract only] Author: Mena, Michael Date: 2011-10
Title: Increasing Cultural Awareness through Choral Music [full paper] Author: Meisten, Kimberly D. Date: 2011-10
Title: Turn-of-the-Century Buenos Aires Viewed from New York: Astor's Piazzolla's setting of Borges's "El hombre de la esquina rosada" [abstract only] Author: Turci-Escobar, John Date: 2011-10
Title: Radio Dialogues: U.S. Musical Influences on Cuban Alternative Music [abstract only] Author: Thomas, Susan Date: 2011-10
Title: Brief overview of the musical dialogue between Bolivia and United States [full paper] Author: Terceros, Isaac Date: 2011-10
Title: Awkward and Uneven Musical Flows: The Politics of Increased U.S.-Cuban Musical Interaction [full paper] Author: Storhoff, Tim Date: 2011-10
Title: Music schools and musical activity in 17th Century New Mexico Missions [full paper] Author: Lozano, Tomás Date: 2011-10
Title: Singing Blackness across Borders. Capeyuye and Mascogo Identity in Northern Mexico [abstract only] Author: Madrid, Alejandro L. Date: 2011-10
Title: Olin Downes and the Reception of Latin American Composers in the United States [abstract only] Author: Lopes, Luiz Fernando Date: 2011-10

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