• THE EFFECT OF INTERPRETIVE DECISIONS AND LISTENING MEDIUM ON AUDIENCE INTEREST 

  Engelbert, Briana (Indiana University, 2017-07-25)

  The purpose of this study was to examine the effect of soloist interpretive musical decisions and listening medium (live and recorded mediums) on audience interest. All participants were currently enrolled at a large ...
• 21st-Century Brass Pedagogy: Modern Scientific Discoveries and their Implications on Current Brass Pedagogy 

  Sulliman, Jason (Indiana University, 2017-06-24)

  Since the beginning of brass instruments, much of the information utilized to develop a pedagogical framework for teaching and playing these instruments was developed through personal experience, trial and error, and ...
• "La Mirada del Ouroboros": Concerto for Harp and Sinfonietta 

  Tovar-Henao, Felipe (Indiana University, 2017-07-14)
• The Use of Harp in Early Seventeenth-Century Italy 

  Loei, Yi Yun (Indiana University, 2017-07-14)
• STYLISTIC EVOLUTION IN EMILE NAOUMOFF’S PIANO MUSIC 

  Joo, Soojin (Indiana University, 2017-07-14)
• Made in America: The Organ Works of Arthur Foote 

  Kronner, Patrick (Indiana University, 2017-07-12)
• I and Thou: A Holistic Investigation of College Music Performance Majors' Relationships with Their Instruments 

  Lysaker, Mercedes (Indiana University, 2017-07-05)

  The purpose of this study was to explore the relationships between musician and instrument among musicians who are undergraduate students at a high-performing university school of music and who have experienced some degree ...
• Luminosity: Concerto for Wind Orchestra by Joseph Schwantner: Musical Analysis and Cultural Context 

  Chybowski, Andrew (Indiana University, 2017-06-20)

  Joseph Schwantner’s works for winds, brass, and percussion form a unique contribution to wind repertoire. The five compositions written between 1977 and 2014 make extensive use of twentieth-century compositional techniques ...
• Ben Folds Five, The Unauthorized Biography of Reinhold Messner: A Theoretical Analysis in Relationship with the Text as a Modern Song Cycle 

  Richardson, Andrew (2017-05-26)
• The Beginning Tubist: A Curriculum and Supplemental Book of Duets 

  Clarkson, Genevieve (2017-05-05)
• The Flute in Transition: A Comparison of Extant Flutes from circa 1650 to 1715 

  Roudabush, Kelly (2017-05-20)
• THE EFFECT OF SELF-EVALUATION, SELF-RECORDING ALONG WITH SELF-LISTENING, AND MODELING ON 2ND GRADERS’ MELODIC SINGING ACCURACY 

  Fixmer, Dylan (2017-05-02)

  The purpose of this study was to investigate the effects of self-evaluation, self-recording along with self-listening, and modeling on second graders’ melodic singing accuracy. Pre- and post-treatment singing voice ...
• MUSIC LEGACY OF THE 19th CENTURY SECOND GREAT AWAKENING: MORMONISM’S HISTORICAL MUSICAL TRADITIONS AND CONTEMPORARY CONTRIBUTIONS TO THE OPEN CANON OF WORSHIP MUSIC 

  McQuay, Alicia (2017-04-27)
• Incorporating Musical Theater in the Classical Voice Studio 

  Perkins, William (2017-04-27)
• LOUIS VIERNE’S PIÈCES DE FANTAISIE POUR GRAND ORGUE: ITS SIGNIFICANCE IN THE HISTORY OF ORGAN MUSIC 

  Kang, Woosug (2017-04-25)
• REINVENTING THE ROSTER: A STUDY OF TWO RURAL ELEMENTARY SCHOOLS PARTICIPATING IN A HYBRID ONLINE LEARNING ENVIRONMENT FOR CLASS GUITAR 

  Finney, Lucas (2017-04-12)
• A STUDY OF THE HISTORY AND CURRENT PRACTICES OF CREATING AND PRESENTING YOUNG PEOPLE’S CONCERTS IN AMERICAN ORCHESTRAS 

  Moran, Andres (2017-03-02)
• The Unknown Editing of Charles Ives: New Sources for 114 Songs 

  Grundy, Christopher (2017-01-26)
• Dmitry Shostakovich, second piano sonata 

  Avanesian-Weinstein, Karina (2017-01-24)
• A JAZZ VESPERS FOR CHORUS, SOLOISTS, ORCHESTRA AND JAZZ QUINTET 

  McCutchen, Keith (2016-12-16)

  An Analysis of Liturgical Jazz, Classical and Jazz Collaborations and Analytical Commentary on a Jazz Vespers for Chorus, Soloists, Orchestra and Jazz Quintet This paper presents a background on the use of jazz in the ...

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