Douglas R. Hofstadter
Permanent link for this communityhttps://hdl.handle.net/2022/21700
Browse
Browsing Douglas R. Hofstadter by Title
Now showing 1 - 16 of 16
- Results Per Page
- Sort Options
Item The Big Picture Part 1(Stanford Channel (Television station : Stanford, Calif.), 1997) Hofstadter, Douglas R.This fifth symposium -- the final one -- served to summarize the ideas that had been debated in the four previous symposia, and tried to answer the title question that had provoked the series of symposia.Item The Big Picture Part 2(Stanford Channel (Television station : Stanford, Calif.), 1997) Hofstadter, Douglas R.This fifth symposium -- the final one -- served to summarize the ideas that had been debated in the four previous symposia, and tried to answer the title question that had provoked the series of symposia.Item The Big Picture Part 3(Stanford Channel (Television station : Stanford, Calif.), 1997) Hofstadter, Douglas R.This fifth symposium -- the final one -- served to summarize the ideas that had been debated in the four previous symposia, and tried to answer the title question that had provoked the series of symposia.Item Chess and Go Part 1(Stanford Channel (Television station : Stanford, Calif.), 1997) Hofstadter, Douglas R.This first symposium was about humans versus computers as chess players and as Go players (at that time, world chess champion Garry Kasparov had just been defeated by IBM’s Deep Blue system, a very provocative result).Item Chess and Go Part 2(Stanford Channel (Television station : Stanford, Calif.), 1997) Hofstadter, Douglas R.This first symposium was about humans versus computers as chess players and as Go players (at that time, world chess champion Garry Kasparov had just been defeated by IBM’s Deep Blue system, a very provocative result).Item Digitization Project for The Center for Research on Concepts and Cognition(IUScholarWorks, 2017-10) Ng, Wen NieThis video digitization project was initiated by Jian Liu and managed by Wen Nie Ng to provide public access to Douglas Hofstadter’s series of five public symposia on IUScholarWorks. This document contains the digitization process, metadata scheme, and technical details of this project for future reference. I owe thanks to Kara Alexander, Jon Cameron, Richard Higgins, and Jian Liu for guidance and assistance provided. If you need further clarification on this document, please do not hesitate to email Wen at ngwennie1@gmail.comItem Jokes and Humor(Stanford Channel (Television station : Stanford, Calif.), 1997) Hofstadter, Douglas R.This third symposium was about computers as creators or understanders of jokes and other types of humor, and featured renowned comedian/actor Steve Martin, as well as famed AI pioneer Marvin Minsky.Item Language and Literature Part 1(Stanford Channel (Television station : Stanford, Calif.), 1997) Hofstadter, Douglas R.This second symposium was about the most recent successes of computers in the area of processing natural language -- both writing it and understanding it (including writing poetry, grading students’ papers, answering questions about science-fiction stories, and so forth).Item Language and Literature Part 2(Stanford Channel (Television station : Stanford, Calif.), 1997) Hofstadter, Douglas R.This second symposium was about the most recent successes of computers in the area of processing natural language -- both writing it and understanding it (including writing poetry, grading students’ papers, answering questions about science-fiction stories, and so forth).Item Musical Composition Part 1(Stanford Channel (Television station : Stanford, Calif.), 1997) Hofstadter, Douglas R.This fourth symposium was about a particular computer program -- David Cope’s “EMI” (later renamed as “Emmy”) -- as a composer of music in the style of various classical composers. On the second day, a two-hour concert took place in which compositions written by EMI and compositions written by famous human composers were performed without identification, and the audience was asked to vote for which pieces they thought were human-composed and which were computer-composed. Among the speakers in that symposium were David Cope himself and noted philosopher Dan Dennett.Item Musical Composition Part 2(Stanford Channel (Television station : Stanford, Calif.), 1997) Hofstadter, Douglas R.This fourth symposium was about a particular computer program -- David Cope’s “EMI” (later renamed as “Emmy”) -- as a composer of music in the style of various classical composers. On the second day, a two-hour concert took place in which compositions written by EMI and compositions written by famous human composers were performed without identification, and the audience was asked to vote for which pieces they thought were human-composed and which were computer-composed. Among the speakers in that symposium were David Cope himself and noted philosopher Dan Dennett.Item Musical Composition Part 3(Stanford Channel (Television station : Stanford, Calif.), 1997) Hofstadter, Douglas R.This fourth symposium was about a particular computer program -- David Cope’s “EMI” (later renamed as “Emmy”) -- as a composer of music in the style of various classical composers. On the second day, a two-hour concert took place in which compositions written by EMI and compositions written by famous human composers were performed without identification, and the audience was asked to vote for which pieces they thought were human-composed and which were computer-composed. Among the speakers in that symposium were David Cope himself and noted philosopher Dan Dennett.Item Musical Composition Part 4(Stanford Channel (Television station : Stanford, Calif.), 1997) Hofstadter, Douglas R.This fourth symposium was about a particular computer program -- David Cope’s “EMI” (later renamed as “Emmy”) -- as a composer of music in the style of various classical composers. On the second day, a two-hour concert took place in which compositions written by EMI and compositions written by famous human composers were performed without identification, and the audience was asked to vote for which pieces they thought were human-composed and which were computer-composed. Among the speakers in that symposium were David Cope himself and noted philosopher Dan Dennett.Item Musical Composition Part 5(Stanford Channel (Television station : Stanford, Calif.), 1997) Hofstadter, Douglas R.This fourth symposium was about a particular computer program -- David Cope’s “EMI” (later renamed as “Emmy”) -- as a composer of music in the style of various classical composers. On the second day, a two-hour concert took place in which compositions written by EMI and compositions written by famous human composers were performed without identification, and the audience was asked to vote for which pieces they thought were human-composed and which were computer-composed. Among the speakers in that symposium were David Cope himself and noted philosopher Dan Dennett.Item Musical Composition Part 6(Stanford Channel (Television station : Stanford, Calif.), 1997) Hofstadter, Douglas R.This fourth symposium was about a particular computer program -- David Cope’s “EMI” (later renamed as “Emmy”) -- as a composer of music in the style of various classical composers. On the second day, a two-hour concert took place in which compositions written by EMI and compositions written by famous human composers were performed without identification, and the audience was asked to vote for which pieces they thought were human-composed and which were computer-composed. Among the speakers in that symposium were David Cope himself and noted philosopher Dan Dennett.Item Musical Composition Part 7(Stanford Channel (Television station : Stanford, Calif.), 1997) Hofstadter, Douglas R.This fourth symposium was about a particular computer program -- David Cope’s “EMI” (later renamed as “Emmy”) -- as a composer of music in the style of various classical composers. On the second day, a two-hour concert took place in which compositions written by EMI and compositions written by famous human composers were performed without identification, and the audience was asked to vote for which pieces they thought were human-composed and which were computer-composed. Among the speakers in that symposium were David Cope himself and noted philosopher Dan Dennett.