Doctoral Final Projects--Organ (DM)
Permanent link for this collectionhttps://hdl.handle.net/2022/14088
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Item A Course of Study on the History of Congregational Song for Use in Mainline Protestant Church Classes(2012-05-03) Harper, Monica AlexandraItem A Grande Restoration for a Petit Ensemble: The Restorative Conservation of Kilgen Opus 5395(Indiana University, 2023-05-05) Fletcher, LucasItem A handbook for introducing undergraduates to the organ and its literature(2015-10-07) Pope, Patrick EugeneItem A performance guide to Marcel Dupré's works for organ and piano(Indiana University, 2021-05-02) Rogahn, PeterItem A profile of Charles M. Ruggles, builder of hand-crafted mechanical action organs(2016-04-27) Herris, MarkItem A study of the organ accompaniments and musical style of the evening canticle settings by Herbert Howells(Indiana University, 2022-01-20) Burk, KatieItem A survey of the mid to late nineteenth-century mechanical action organs of Madison, Indiana(Indiana University, 2021-03-15) Stanley, Jonathan (Jonathan Michael)Item Agency, social structure, and the effectiveness of organist-choirmasters: what's the relationship?(Indiana University, 2019-10-02) Gabriel, Priscilla W., 1988-Item Choral Accompaniment at the Organ(Indiana University, 2019-12-04) Middleton, Matthew; Middleton, MatthewItem Come to us, creative spirit: a practical guide for congregational education and outreach through music ministry(Indiana University, 2018-03-22) Putri, KartikaItem Contrapuntal strategies in the music of Girolamo Frescobaldi (1583-1643): reimagining polyphonic genres(Indiana University, 2020-05-10) Sunstein, AaronGirolamo Frescobaldi was the first influential composer to concentrate on keyboard music. Although Frescobaldi’s life and compositions have been the focus of significant historical research, there are few analyses of his music. The present dissertation examines the motivic, contrapuntal, and formal design of six contrasting pieces written throughout Frescobaldi’s career. At the measure by measure level, motivic and rhythmic play in Frescobaldi’s music creates moments where listener expectations are thwarted or fulfilled in unexpected ways. In the context of entire compositions, motivic variation, broadly defined, gives shape and strategy to the progression of the piece. Frescobaldi imagined diverse ways of sustaining interest and creating coherence in the instrumental genres that he cultivated. While motivic combination and variation is the common thread in Frescobaldi’s music, an exploration of other musical parameters that is specific to each piece complements the motivic plot and makes possible the development of extended musical forms. Through close analysis of six pieces by Frescobaldi, this dissertation demonstrates how Frescobaldi’s compositional creativity in terms of contrapuntal, motivic, and variation strategies resulted in the redefinition of existing musical genres as well as the creation of new ones. The analyses precede in chronological order according to when the pieces were published. The pieces are selected from a cross section of Frescobaldi’s publications spanning the composer’s entire period of compositional activity. Some pieces are from collections that are considered primarily contrapuntal (Fantasie, Capricci) whereas others are more homophonic or figured bass grounded (Cento Partite, Toccata, Canzona). After an introduction to the analyses in Chapter 1, Chapter 2 addresses S’io miro in te from the madrigal book of 1608. Chapter 3 focuses on Fantasia Seconda, from the composer’s other 1608 publication, the keyboard Fantasie. Chapter 4 analyzes Toccata Duodecima from the first book of toccatas (1615). The analysis in Chapter 5 is of the Capriccio Terzo sopra il Cucho from the publication of 1624. Chapter 6 analyzes Canzona Quinta à 3, due Canti e Basso (1635) and Chapter 7 the Cento Partite sopra Passacagli from 1637.Item Documenting performance through sound recording: Bach's Passacaglia in C minor, BWV 582(2014-01-15) Nave, Carol JeanItem Engaging Max Reger's Phantasie und Fuge über B-A-C-H, Op. 46 : compositional context and performance practice(Indiana University, 2021-12-07) Tatsuta, YumikoMax Reger (1873-1916) composed more than 200 organ pieces in his 43 years of life. These, including his masterpiece Phantasie und Fuge über B-A-C-H, Op. 46 (1900), are frequently performed to this day. In this document, the author will examine Op. 46 by analyzing the overall form and thematic structure of the piece, including a study of its compositional context and background. Particular attention will be paid to the performance practice of this work regarding registration, taking into consideration the historical registration and components of the Walze (Rollschweller) of the Sauer organ Op. 650, on which Op. 46 was premiered by Karl Straube (1873-1950), who was a champion of Reger’s music. The author will provide a solution for reproducing the German Romantic registration sound on the Maidee H. And Jackson A. Seward Organ, C. B. Fisk, Op. 135, in Indiana University’s Jacobs School of MusicAuer Hall. The first chapter will provide an overview of Reger’s life and his music. The second chapter will be focused on his compositional background during his Weiden period, referencing original letters from Reger as well as letter records from The Max-Reger-Institute in Karlsruhe, which are not officially published. The third chapter will be dedicated to analyzing the forms and thematic structures of Phantasie und Fuge über B-A-C-H, Op. 46, revealing the style of composition and harmonic language which Reger inherited from the old masters, and how his own harmonic practice varied from this. The final chapter will be a performance practice study.Item J.S. Bach's Fugues with Borrowed Italian Material and the Early Evolution of his Contrapuntal Practice(Indiana University, 2023-05-08) te Velde, BrentItem Let us love in deed and truth: the life and work of Larry Peyton King (1932-1990)(Indiana University, 2017-12-14) Boudra, AndreaItem Louis Vierne's Pièces de fantaisie pour grand orgue: its significance in the history of organ music(2017-04-25) Kang, WoosugItem Made in America: the organ works of Arthur Foote(Indiana University, 2017-07-12) Kronner, PatrickItem Méditations sur le Mystère de la Sainte Trinité : Messiaen's cosmic musikdrama(Indiana University, 2021-12-17) Cogswell, EvanItem Metric analyses of selected modern "dances" for organ(2012-07-17) Shin, MinkyooItem O beauty, ever ancient, ever new : Gregorian adaptations and accompaniments for the liturgical seasons of Advent and Lent in Spanish(Indiana University, 2020-12-21) Simental, Nicole