Doctoral Final Projects--Early Music (DM)
Permanent link for this collectionhttps://hdl.handle.net/2022/14084
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Item Performing music of the Trecento: a case to rethink our modern editions(2012-12-17) Hudson, William D.Item Shared ideas between visual and musical arts 1450-1750: a condensed guide for museums and artistic directors(2013-12-19) Marsh, Anna (Anna Lee)Item A handbook for reconstructing 16th century Lutheran masses(2013-12-19) Thompson, JasonA Handbook for Reconstructing 16th Century Lutheran Masses walks the reader through the process of creating a Mass as it might have been celebrated in the first century of Lutheranism in Germany. The handbook helps the reader navigate primary sources including church orders, chant books, and hymnals from the period. It also includes a summary of where to find chants for each part of the Mass and two case studies and appendixes showing hymn and chant assignments for the Mass as found in the primary sources.Item Figure it out: an approach to playing basso continuo on the violin(2014-05-14) Stein, DanielItem Lute tuning and temperament in the sixteenth and seventeenth centuries(2014-06-25) Wead, Adam, 1974-Item The flute in transition: a comparison of extant flutes from circa 1650 to 1715(2017-05-20) Roudabush, Kelly;Item Samuel Wesley and his violin: a biography and score of an early concerto from the 1779 autograph(Indiana University, 2018-04-27) Davis, JanelleItem Improvisation in Mozart's keyboard music: a performer's approach to his Eingänge and cadenzas(Indiana University, 2018-05-16) Kitano, Hsuan Chang, 1980-Item Versuch einer Anleitung zum Präludieren: a 21st century method for 18th century practice(Indiana University, 2019-12-19) Livingston, DonaldThe object of this project is a to develop a methodology for creating preludes in the improvisational tradition to non-organ keyboard works from the period framed by C.P.E. Bach's Versuch über die wahre Art (1753/62) and Carl Czerny's A Systematic Introduction to Improvisation on the Pianoforte (1836). Using original preluding tutors, composed preludes, preluding collections, and composition treatises, this project provides guidance in creating preludes and supplies examples of preludes and interludes designed for nine different compositions, including solo, chamber, and orchestral works for keyboard, mindful of the expectations of modern performers and audiences. The objective of this project is to foster a reinvestment in improvisation in the classical realm, and to advance the endeavors of historically informed performers.Item A catalogue of English solo repertoire for the harpsichord: the fifteenth through the eighteenth centuries(Indiana University, 2020-03-20) Chuaqui Baldwin, Alice, 1987-Item J. S. Bach's violoncello piccolo(Indiana University, 2020-04-09) Otsuki, KojiItem Cathedral violins : tracing ornate violin writing in the Americas through the music of Santiago Billoni and his contemporaries(Indiana University, 2021-07-21) Cranor, SarahItem Dancing and drinking songs from 17th century Paris : a critical edition of a songbook by Denis Macé(Indiana University, 2021-12-02) Summersett, KathrynItem INTRODUCING IMPROVISATION INTO 21ST-CENTURY MUSIC CLASSROOM: A CURRICULUM FOR UNDERGRADUATES AND GRADUATES(Indiana University, 2022-05-04) Yeung, Ki FungItem Musical Rhetoric in Early Nineteenth-Century Solo Piano Music of the English Pianoforte School(Indiana University, 2022-05-04) Chin, Yinghan AnastasiaItem The seventeenth century trillo : historical practice for the 21st century singer(Indiana University, 2022-05-27) Francisco, PaulinaThe purpose of this project is to investigate the development, documentation, and production of the trillo at the turn of the seventeenth century, and to assess how knowledge of these components can lead to a more comprehensive understanding of the unique aesthetic of music in seventeenth-century Italy. This study of the trillo is organized in three sections: an overview of the presence, definition, and descriptions of the trillo found in historical sources for singers and instrumentalists, both within Italy and elsewhere in Europe; a review of early-modern anatomical sources, and comparative measurements of the trillo as found in studies by modern voice scientists; and a contextual exploration of the trillo’s employment in vocal literature from the early seventeenth century to the middle of the eighteenth. Practically, these components together suggest that the trillo, and the associated glottal articulation, had a lingering impact on vocal production and composition well into the eighteenth century.Item The Ethnic Villancicos of Gaspar Fernández: Performing In A Modern World(Indiana University, 2024-05-01) Fleming, Micah