Browsing by Author "Klassen, Teri"

Now showing 1 - 4 of 4

How Depression-Era Quiltmakers Constructed Domestic Space: An Interracial Processual Study
(Midwestern Folklore, 2008) Klassen, Teri
In this article, I examine how quiltmaking contributed to the construction of home environments in the 1920s to 1940s. Drawing from oral history interviews with descendants of six black and two white quiltmakers, I argue that these low- and middle-income women enhanced their authority in the family and ordered domestic space through routine practices of making quilts primarily for everyday use. I posit the prominent spacetaking quality of quiltmaking as key to its effectiveness for these purposes. Thus emphasizing the process rather than product side of material culture studies, I argue that the capacity of quiltmaking to shape how inhabitants experience a household has been a significant factor in its long-term popularity in the United States.
Quiltmaking and Social Order in the Tennessee Delta in the Middle 20th Century
([Bloomington, Ind.] : Indiana University, 2014-08) Klassen, Teri; Jackson, Jason B
In an area dominated by large-farm cotton agriculture, a vernacular small-farm quilt culture was established in the Tennessee Delta by the early 1900s. Its improvisation-friendly methods allowed makers to make design decisions during construction while assuring a successful outcome: a visually attractive product that kept sleepers warm, fostered mutual-aid sociability, and did not require too much time or money. Since both blacks and whites accessed these methods, I argue that improvisational expressive genres emerge as a result of particular historical conditions, of which ethnic and racial-group heritage may be one element. I find that quiltmaking in this setting exemplified a larger class of vernacular forms that have both practical and expressive dimensions. Such forms provide the raw material by which members of a society can intensify network connections to achieve an experience of community while meeting subsistence needs. In southwestern Tennessee, expressive-subsistence activities such as quiltmaking were a widespread source of pride in small-farm identity. In this subordinate sector of plantation culture, such activities sustained a claim on the Upland South yeoman identity. Although scholars have credited exposure to urban culture and outside activist groups with motivating the Southern rural black participation that energized the Civil Rights Movement in the 1960s, I argue that internal conditions of small-farm life also played a key part. Among these were the confidence derived from self-sufficiency activities and the breakdown of cross-racial-group economic interdependence as labor-intensive agriculture ended. Quiltmaking might have disappeared as small-farm households shifted in the 1950s and 1960s to a more urban consumer-oriented lifestyle by choice and necessity. However, it survived because makers reconfigured it with new expressive meanings that met needs in their new lifestyle. These included an identity that foregrounded individuality rather than group membership, continuity with (or rejection of) the past, and family connectedness across space and generations.
Representations of African American Quiltmaking: From Omission to High Art
(American Folklore Society and the University of Illinois Press, 2009) Klassen, Teri
African American quiltmaking began to gain recognition as an expressive form distinct from European American quiltmaking in the countercultural climate of the 1970s. Representations of it since then have served to update the Eurocentric, patriotic image of quiltmaking in the United States with components of multiculturalism and cultural critique. These representations in turn caused tensions along the lines of class, race, gender, and scholarly discipline. This study shows the power of words and things when used together, as in museum exhibits, to affirm or challenge the existing social order.
Tracing the Genealogy of a Southern Indiana Quilt Pattern
(Indiana Genealogist, 2007-09) Klassen, Teri
This article discusses quilts in the Polk's Fancy pattern, an example of the red, green, and white classic floral quilt style. The pattern apparently originated in the Mexican American War (1846-48) era in southern Indiana.