2024-03-29T01:42:17Zhttps://scholarworks.iu.edu/dspace-oai/requestoai:scholarworks.iu.edu:2022/144202021-10-19T01:51:25Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Shadows
Dellinger, Sue
Shadows, orchestra
2012-05-02
2012-05-02
2012-05-02
Document (D. Mus.)--Indiana University, 2012.
http://hdl.handle.net/2022/14420
en_US
No license.
oai:scholarworks.iu.edu:2022/144402021-10-18T07:26:04Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Les Chants du Maldoror
Williams, Natalie, 1977-
Les Chants du Maldoror
Chamber Symphony for Small Orchestra
2012-05-03
2012-05-03
2012-05-03
Document (D. Mus.)--Indiana University, 2012.
http://hdl.handle.net/2022/14440
en_US
No license.
oai:scholarworks.iu.edu:2022/147422021-10-18T07:02:59Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
strain and stress of a line
Williamson, Gordon, 1974-
williamson, orchestra, dissertation
2012-10-18
2012-10-18
2012-10-18
Document (D. Mus.)--Indiana University, 2012.
http://hdl.handle.net/2022/14742
en_US
No license
oai:scholarworks.iu.edu:2022/151942021-10-18T20:32:01Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Music from elsewhere: orchestra
Groffman, Joshua
Orchestra music, spectralism
2012-12-13
2012-12-13
2012-12-13
D. Mus.
http://hdl.handle.net/2022/15194
en_US
License terms: No license.
oai:scholarworks.iu.edu:2022/154812021-10-18T08:37:42Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Jim, Jimi, and James
Lubell, Gabriel, 1983-
Jim Morrison, Jimi Hendrix, James Jamerson
2013-04-26
2013-04-26
2013-04-26
D. Mus.
http://hdl.handle.net/2022/15481
en_US
License terms: No license.
oai:scholarworks.iu.edu:2022/155662021-10-18T08:49:39Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Icarus
Lindsay, Eric, 1980-
polystylism, jazz, multimeter, drum set, tenor sax
Discussions about music, as with those about life, often circle around the idea of goal-directed motion. In these conversations, many of the metaphors we use to describe directionality can apply across contexts—stasis vs. transition, cycles of repetition vs. developing variation, drive vs. aimlessness, and so on. Similarly, many of us tend to attribute these labels to our perception of a piece’s agency, anthropomorphizing musical gestures as though they were characters on a journey.
My objective in Icarus was to reflect on the symbiosis between the transitions we undergo in and outside of the listening experience. (As a personal aside, this piece was written at a time when the clearly delineated goals of academia gave way to the uncertain ones that dictate what comes next in life.) Like the mercurial transitions that connect the primary and secondary theme areas in late-Romantic sonatas, what was once the obvious end-goal now becomes one of several alternative, often-conflicting possibilities, conjuring a state of unrest and instability. Making decisions in a world of increasing opportunities is the spice of life... yes, except for that moment where competing internal dichotomies seem to keep life from moving forward. I sometimes liken this juncture to Icarus’ leap from the tower high above the cliffs of Crete, where Icarus fashioned his own fall by disastrously letting an opposing agent—hubris—distract him from the goal of flight.
The language of this piece is itself a reflection of these tensions, born of an effort to rally notions of personal fulfillment, voice, style, substance and intuition together into a showcase and distillation of all I’ve ever learned. This state is reflected, too, in the musical gestures themselves, where repeated sections (or "ritornelli") are pushed and pulled by various ingredients within the material fighting for greater prominence. With each structural repetition, the goal of a passage is colored by the implications of alternatingly prominent rhythmic, metric and/or harmonic characteristics. The end result is a collection of earnest, opposing ambitions—blazing forward while always threatening to rip the whole apart at the seams.
2013-05-09
2013-05-09
2013-05-09
D. Mus.
http://hdl.handle.net/2022/15566
en_US
License terms: No license.
oai:scholarworks.iu.edu:2022/155802021-10-18T07:20:55Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Yook-I-O (6-2-5): Korean war letters
Bark, Elliott, 1980-
Elliott Bark, Yook-i-o, Korean War Letters, Orchestra, Yookio, June 25th, Korean War, War, Dissertation
2013-05-14
2013-05-14
2013-05-14
D. Mus.
http://hdl.handle.net/2022/15580
en_US
No license.
oai:scholarworks.iu.edu:2022/171562021-10-18T09:24:51Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Organism
Miller, Timothy, 1981-
abstract
avante garde
organism
new music
large ensemble
rhythmic
pulse music
2013-11-25
2013-11-25
2013-11-25
D.Mus.
http://hdl.handle.net/2022/17156
en_US
NA
oai:scholarworks.iu.edu:2022/172272021-10-18T09:35:07Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Dans l'espoir de ce jour
Kingsland, Chappell, 1980-
baritone, chamber orchestra, Senghor, Senegal
A setting of a poem by Léopold Sédar Senghor for baritone and chamber orchestra.
2013-12-20
2013-12-20
2013-12-20
D. Mus.
http://hdl.handle.net/2022/17227
en_US
oai:scholarworks.iu.edu:2022/175652021-10-18T10:27:43Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Interstellar arias
Snethkamp, Steven, 1982-
Steven Snethkamp, Orchestra, Composition, Arias, Dissertation
2014-05-06
2014-05-06
2014-05-06
D. Mus.
http://hdl.handle.net/2022/17565
en_US
oai:scholarworks.iu.edu:2022/175822021-10-18T10:19:43Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Worlds without end
Taylor, Benjamin, 1983-
orchestra, benjamintaylormusic.com, indiana, bloomington, nature, creation, universe, stars, planets, explosion, beauty, majestic, cycle, God, Mormon, Christian
A work for full orchestra with a duration of nine minutes by Benjamin Taylor. As a composition, Worlds Without End is a one-movement work that stands as a tribute to God, the Creator of us all. As Dieter Uchtdorf, a counselor in the First Presidency of The Church of Jesus Christ of Latter-day Saints asserted, "Creation brings deep satisfaction and fulfillment. We develop ourselves and others when we take unorganized matter into our hands and mold it into something of beauty." I echo this sentiment. For me, the act of composing music brings peace, a sense of worth, greater meaning to my life, and ultimately makes me happy. I would not do it if I did not have fun! But creation is work, and each composition presents a unique set of challenges and problems I must overcome. The prolific composer Frank Ticheli once said, “No two pieces are composed in the same way, and with every new piece I must learn the creative process all over again.” I certainly felt this way while composing Worlds Without End. More so than with any of my other works, this composition has involved a gradual, slow process of formation. The act of generating musical materials, testing ideas, editing sections, refining orchestration, changing proportions, and notating the music has taken literally hundreds of hours. While at times frustrating and stressful, the composition process has ultimately been extremely rewarding as it has given me the chance to develop and grow as a creator.
The scriptural account of the creation of the earth has long been an inspiration to me as an artist. As I observe the world around me, I marvel at God's creation. The breadth of variety in animal and plant life; the beauty and majesty of forests, oceans, and mountains; the endlessness of stars, planets, and celestial bodies; and the complexity and power of the human body – all stand as supreme examples and inspiration to me when I embark on the artistic path of being a composer. And yet, we learn from scripture that our earth is but a small part of the wondrous creation. God revealed to his prophet Moses that he created worlds "without end." (Moses 1:4) God said, "And worlds without number have I created; . . . and by the Son I created them, which is mine Only Begotten." (Moses 1:33) Wow, this amazes me! Worlds without number? Worlds without end? I can't even fathom such an infinite number of creations.
As I wrote Worlds Without End, I thought of it as mirroring the creation process of a universe. The piece begins with a sparsely orchestrated melodic line which conveys unorganized gases and particles of matter slowly starting to coalesce in space. Further materials are added and ordered. There are many large explosions throughout the piece as matter combines and recombines, sometimes violently, other times in a mysterious or quirky manner. The climax of the work represents the culmination of the creative process, where all the ideas now finally fit together and are resolved harmonically. The conclusion of the composition brings back materials from the opening, representing the cyclical nature of creation as all matter passes through the rhythm of life, death, and rebirth.
2014-05-09
2014-05-09
2014-05-08
D. Mus.
http://hdl.handle.net/2022/17582
en_US
oai:scholarworks.iu.edu:2022/175782021-10-18T11:13:53Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Beetles, dragons, & dreamers: for orchestra
Eötvös, Melody, 1984-
Melody Eotvos, Orchestra, New Music, Dissertation, Australia
2014-05-08
2014-05-08
2014-05-08
D. Mus.
http://hdl.handle.net/2022/17578
en_US
oai:scholarworks.iu.edu:2022/175872021-10-18T12:00:50Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Ghost of the machine
Chase, Ryan, 1987-
ghost, machine, ryan, chase, sinfonietta
2014-05-14
2014-05-14
2014-05-14
D. Mus.
http://hdl.handle.net/2022/17587
en_US
oai:scholarworks.iu.edu:2022/176192021-10-18T10:15:23Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Valley of dry bones
Ahn, Sang Mi, 1979-
Ezekiel 37, resurrection, spiritual renewal, orchestral music
2014-05-23
2014-05-23
2014-05-23
D. Mus.
http://hdl.handle.net/2022/17619
en_US
oai:scholarworks.iu.edu:2022/192072021-10-18T10:38:44Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
The world of tomorrow
Renk, Chris, 1983-
Renk, Art Deco, Sinfonietta, Dzubay
"The World of Tomorrow" is a 2013 work by Chris Renk inspired by Art Deco aesthetics. It was commissioned by the Indiana University New Music Ensemble (David Dzubay, cnd.) after Renk was awarded the 2013 Dean's Prize for Chamber Music for his piece "Cave Paintings".
2014-12-16
2014-12-16
2014-12-16
Musical score
D. Mus.
http://hdl.handle.net/2022/19207
en_US
No license.
oai:scholarworks.iu.edu:2022/198492015-04-30T20:54:07Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079oai:scholarworks.iu.edu:2022/198602021-10-18T14:08:45Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Ko-oh
Kim, Texu, 1980-
Texu Kim, Korean, lullaby, contemporary, viola, concerto, orchestra
2015-05-04
2015-05-04
2015-05-04
Musical Score
D. Mus.
http://hdl.handle.net/2022/19860
en_US
Attribution Non-commercial No Derivatives (by-nc-nd)
oai:scholarworks.iu.edu:2022/198762021-10-18T14:56:24Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
NORI [놀이] (Play!)
Chun, Yie Eun
Yie Eun Chun, Orchestra, Contemporary Music
2015-05-07
2015-05-07
2015-05-07
Musical Score
Thesis
http://hdl.handle.net/2022/19876
en_US
No license.
oai:scholarworks.iu.edu:2022/199452021-10-18T17:25:06Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Chamber symphony
Sweeney, Mike, 1982-
symphony, chamber, Michael Sweeney, sinfonietta, dissertation
2015-05-15
2015-05-15
D. Mus.
http://hdl.handle.net/2022/19945
en_US
oai:scholarworks.iu.edu:2022/199582021-10-18T17:48:47Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Songs from Bedlam: for solo baritone voice and chamber orchestra
Turner, Jess, 1983-
Jess Turner, orchestra, baritone, voice, Tom O'Bedlam, chamber
2015-05-18
2015-05-18
2015-05-18
Musical Score
D. Mus.
http://hdl.handle.net/2022/19958
en_US
No license.
oai:scholarworks.iu.edu:2022/205592021-10-18T11:32:27Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Ile
Donner, Ezra, 1986-
Ile, Ezra Donner, Eugene O'Neill
2015-12-14
2015-12-14
Musical Score
D. Mus.
http://hdl.handle.net/2022/20559
en_US
No license.
oai:scholarworks.iu.edu:2022/208042021-10-18T09:53:45Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Gonna get your soul start dancing
Podgursky, Jeremy
notated music, Jeremy Podgursky, Chamber music, sinfonietta, new music, composition, orchestral, strings, woodwinds, percussion, piano, brass, jazz, swing, avant garde, contemporary classical, rock, drums, Charles Mingus, Miles Davis, Keith Jarrett, Eric Dolphy, Brazilian Music, Bahia, Latin Music, Big Band, Blues, Electric, Funk, African American Music, Soul, Alchemy, Carlos Castaneda, Bruja, Dancing, Dance Music, Energy
2016-04-19
2016-04-19
2016-04-19
D. Mus.
http://hdl.handle.net/2022/20804
en_US
No license.
oai:scholarworks.iu.edu:2022/208362021-10-18T11:26:53Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Son perpetuum
Cortés-Álvarez, Francisco, 1983-
Francisco, Cortés-Álvarez, Cortés, Álvarez, orchestra, orquesta, latin america, latinamerica, mexico, mexican, mexicano, perpetual motion, movimiento perpetuo, lando, cueca, son, hemiola, hemiolia, sesquialtera
From Mexico all the way to Argentina, many Latin American countries share a very strong tradition of music in 6/8 meter that emerged from the blend of music traditions from Spain, the native cultures, and the African descendants. In this musical tradition there is a constant rhythmic device, not unique to this kind of music, but certainly one of its main characteristics: the hemiola.
For the last five years I have been working at the Latin American Music Center (Indiana University), and “Son Perpetuum” is an abstraction of multiple styles that have influenced my compositional work during my doctorate. Rhythms such as Son Husteco, Landó, and Zamacueca, among others, are blended into an energetic rush of color, texture, and harmony in perpetual motion.
“Son Perpetuum” does not have breaks; it does not slow down; it is always energetic. The interest of the piece depends on a wide variety of timbral, textural, harmonic, dynamic, and registral ranges.
2016-05-03
2016-05-03
Musical Score
D. Mus.
http://hdl.handle.net/2022/20836
en_US
No license.
oai:scholarworks.iu.edu:2022/208452021-10-18T11:09:18Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Afterimages: for orchestra
Sink, Phillip, 1982-
orchestra, Phillip Sink, dissertation, Afterimages, twenty-first century music
2016-05-03
2016-05-03
Musical Score
D. Mus.
http://hdl.handle.net/2022/20845
en_US
No license.
oai:scholarworks.iu.edu:2022/218282021-10-18T16:11:48Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
E pluribus
Smith, Curtis N., 1983-
curtis smith, e pluribus, orchstra, symphony, sound mass, stochastic, charles ives, iannis xenakis, metastasis, john luther adams, minimalism, glissandi,
Indiana University, Music, 2017
This piece is about the individual and the collective, and is inspired by democracy. There are two main characters—the ocean of sound, represented most prominently by the strings—especially at the beginning and end, and a tonal chord progression that emerges gradually from the dense cluster at the beginning of the piece. The sublimation of the tonal progression into the cluster and the cluster’s interaction with the tonal progression propel the piece, delineate structure, and act as a type of embodiment for the societal shifts and interactions experienced in a democracy.
2017-12-06
2017-12-06
2017-12-06
D. Mus.
http://hdl.handle.net/2022/21828
en
Indiana University
oai:scholarworks.iu.edu:2022/220152021-10-19T02:32:26Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Nights of 1998
LaRosa, Christopher
Christopher LaRosa
Ernest Hilbert
sinfonietta
baritone
SoHo
Manhattan
Thesis (DM) - Indiana University, Music, 2018.
2018-04-09
2018-04-09
2018-04-09
D. Mus.
http://hdl.handle.net/2022/22015
en
Indiana University
oai:scholarworks.iu.edu:2022/229712021-10-18T18:24:10Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Into the forest
Cho, Ara, 1988-
Into the Forest, Ara Cho, Orchestra
Thesis (DM) - Indiana University, Music, 2019
2019-04-26
2019-04-26
2019-04-26
D. Mus.
http://hdl.handle.net/2022/22971
en
Indiana University
oai:scholarworks.iu.edu:2022/229962021-10-18T12:36:57Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Conquering sun
Rotolo, Kyle, 1986-
Rotolo, Conquering Sun, Dissertation
Thesis (DM) – Indiana University, Music, 2019
2019-04-30
2019-04-30
2019-04-30
http://hdl.handle.net/2022/22996
en
Indiana University
oai:scholarworks.iu.edu:2022/252692021-10-18T15:25:11Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Second's the best
Stang, Nathan, 1990-
george, nathan, stang, second's, the, best, dissertation
Thesis (DM) – Indiana University, Music, 2020
2020-03-06
2020-03-06
2020-03-06
Thesis
http://hdl.handle.net/2022/25269
en
Indiana University
oai:scholarworks.iu.edu:2022/253742021-10-18T16:07:19Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Where the dark green willows weep
Ransom, Erik Q., 1970-
Ransom, Benton, folk, Ozark, jealous, orchestra
Thesis (DM) – Indiana University, Music, 2020
2020-04-24
2020-04-24
2020-04-24
D. Mus.
http://hdl.handle.net/2022/25374
en
Indiana University
oai:scholarworks.iu.edu:2022/254102021-10-18T16:19:54Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Permissions
Taylor, Tyler, 1992-
Tyler Taylor, Symphony Orchestra, Twenty-first century orchestral music, behavior patterns, characteristic qualities, chamber groups, polyrhythm, black composers, African-American composers
Thesis (DM) – Indiana University, Music, 2020
2020-05-03
2020-05-03
2020-05-03
D. Mus.
http://hdl.handle.net/2022/25410
en
Indiana University
oai:scholarworks.iu.edu:2022/256922021-10-18T17:40:46Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Danzas encefálicas: Dream cycles for sinfonietta and electronics
Tovar-Henao, Felipe, 1991-
mixed music; chamber music; NME; electronics; dream research; REM; NREM; RTcmix; MaxMSP
Thesis (DM) – Indiana University, Music, 2020
2020-07-14
2020-07-14
2020-07-14
D. Mus.
http://hdl.handle.net/2022/25692
en
Indiana University
oai:scholarworks.iu.edu:2022/257032021-10-18T17:40:34Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Concerto for chorus
Rubin, Corey, 1983-
concerto, chorus, chamber orchestra
Thesis (DM) – Indiana University, Music, 2020
2020-07-21
2020-07-21
2020-07-21
D. Mus.
http://hdl.handle.net/2022/25703
en
Indiana University
oai:scholarworks.iu.edu:2022/263582021-10-19T04:19:53Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
“…here they come, the birds of my youth!” : in memoriam Sven-David Sandström
Hurst, Jay, 1989-
Jay Hurst, Sven-David Sandström, orchestra, Sibelius, glossolalia, symphonic poem, aleatoric, aleatoric notation
Thesis (D. Mus) – Indiana University, Music, 2021
2021-04-22
2021-04-22
2021-04-22
Thesis
http://hdl.handle.net/2022/26358
en
Indiana University
oai:scholarworks.iu.edu:2022/264012022-07-11T18:32:47Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Nocturne
Frizzo, Carlo Vincetti
carlo vincetti frizzo, vini, nocturne, orchestra
Thesis (D. Mus.) – Indiana University, Music, 2017
2021-05-03
2021-05-03
2021-05-02
Thesis
https://hdl.handle.net/2022/26401
en
Indiana University
oai:scholarworks.iu.edu:2022/264232022-08-01T19:40:03Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Imperiled sea
Trachsel, Will, 1988-
chamber orchestra, fixed media, electronic music, RTcmix, Max/MSP
Thesis (D. Mus.) – Indiana University, Music, 2021
2021-05-04
2021-05-04
2021-05-04
Thesis
https://hdl.handle.net/2022/26423
en
Indiana University
oai:scholarworks.iu.edu:2022/264292022-08-24T12:54:35Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Perichoresis ~a dance~
Kuriyama, Kenji, 1987-
Perichoresis
Thesis (D. Mus.) – Indiana University, Music, 2021
2021-05-06
2021-05-06
2021-05-06
Thesis
https://hdl.handle.net/2022/26429
en
Indiana University
oai:scholarworks.iu.edu:2022/264382022-08-26T18:47:33Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Work in progress
Davis, Craig Michael, 1990-
Orchestra, Music, Minimalism, Maximalism, New Music
Thesis (D. Mus.) – Indiana University, Music, 2021
2021-05-12
2021-05-12
2021-05-12
Thesis
https://hdl.handle.net/2022/26438
en
Indiana University
oai:scholarworks.iu.edu:2022/269822022-05-31T18:39:07Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Dance dance circumvolution
Kunselman, Jamie
Dusan Bogdanovic, Carlo Domeniconi, Balkan music, Turkish music, ethno-jazz, Jazz Sonatina, Variation on an Anatolian folk song, improvised music
Thesis (D. Mus.) – Indiana University, Music, 2021
2021-12-07
2021-12-07
2021-11-07
Thesis
https://hdl.handle.net/2022/26982
en
Indiana University
oai:scholarworks.iu.edu:2022/275672022-05-04T07:01:30Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
The Puppy Episode
Recio, Matthew
The Puppy Episode, Opera, Chamber Opera, Royce Vavrek, Recio, Vavrek, Vocal, Arias, Duets
Thesis (DM) – Indiana University, Music, 2022
2022-05-03
2022-05-03
2022-05-03
Thesis
https://hdl.handle.net/2022/27567
en
Indiana University
oai:scholarworks.iu.edu:2022/275722022-05-05T07:01:41Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Spirituality
Chen, Yi-De
Spirituality, Improvisation, Synesthesia, Yi-De Chen, Taiwan
Thesis (DM) – Indiana University, Music, 2022
2022-05-04
2022-05-04
2022-05-04
Thesis
https://hdl.handle.net/2022/27572
en
Indiana University
oai:scholarworks.iu.edu:2022/275742022-05-05T07:03:15Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
L'enfant Terrible (With Flashes of Bright Green)
Landrum, Nicholas
Composer, Mars, Rover, Opportunity, Synthesizer
Thesis (DM) – Indiana University, Music, 2022
2022-05-04
2022-05-04
2022-05-04
Thesis
https://hdl.handle.net/2022/27574
en
Indiana University
oai:scholarworks.iu.edu:2022/290042023-04-19T07:01:19Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Concerto for Wind Ensemble
Rankin, Robert
wind ensemble, concerto, wind band, symphonic band
Thesis (DM) – Indiana University, Music, 2023
2023-04-18
2023-04-18
2023-04-18
Thesis
https://hdl.handle.net/2022/29004
en
Indiana University
oai:scholarworks.iu.edu:2022/290362023-05-08T07:03:08Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Ya (Cliff of Moher)
Lin, Shuyu
orchestra, composition
Thesis (DM) – Indiana University, Music, 2023
2023-05-05
2023-05-05
2023-05-05
Thesis
https://hdl.handle.net/2022/29036
en
Indiana University
oai:scholarworks.iu.edu:2022/290402023-05-08T07:01:38Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
Rusty Railway
Seol, Yuseok
Rusty, Railway, Yuseok Seol, Yuseok, Seol, Orchestra
Thesis (DM) – Indiana University, Music, 2023
2023-05-05
2023-05-05
2023-05-05
Thesis
https://hdl.handle.net/2022/29040
en
Indiana University
oai:scholarworks.iu.edu:2022/295362023-12-15T08:02:23Zcom_2022_14076com_2022_3160com_2022_19673col_2022_14079
American Symphonic Journeys
Yee-Paulson, Benjamin
Boston, America, Orchestra, Symphony, Indiana, Pictures, Mussorgsky, Suite, Art
Thesis (DM) – Indiana University, Music, 2023
2023-12-14
2023-12-14
2023-12-14
Thesis
https://hdl.handle.net/2022/29536
en
Indiana University