2024-03-28T15:18:39Z
https://scholarworks.iu.edu/journals/index.php/mar/oai
oai:ojs.scholarworks.iu.edu:article/38
2016-04-06T07:04:57Z
mar:COM
nmb a2200000Iu 4500
"080131 2008 eng "
1938-5145
dc
Letter to the Editor: On Tsimshian Treasures—An Addendum
Roth, Christopher F.
University of Wisconsin-Milwaukee
Indiana University Press
2008-02-14 15:49:56
Commentary
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https://scholarworks.iu.edu/journals/index.php/mar/article/view/38
Museum Anthropology Review; Vol. 1 No. 2 (2007)
eng
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oai:ojs.scholarworks.iu.edu:article/433
2016-04-06T07:15:46Z
mar:COM
nmb a2200000Iu 4500
1938-5145
dc
De la race a l’esthétique en passant par la culture: Trajets muséographiques de l’ethnologie française
Bromberger, Christian
University of Provence at Aix-en-Provence
Indiana University Press
2010-04-22 21:05:44
Commentary
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https://scholarworks.iu.edu/journals/index.php/mar/article/view/433
Museum Anthropology Review; Vol. 4 No. 1 (2010)
eng
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oai:ojs.scholarworks.iu.edu:article/434
2016-04-06T07:15:56Z
mar:COM
nmb a2200000Iu 4500
1938-5145
dc
From Race To Culture To Esthetics: A Museographic Journey into French Ethnology
Bromberger, Christian
University of Provence at Aix-en-Provence
Indiana University Press
2010-04-22 21:05:44
Commentary
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text/html
https://scholarworks.iu.edu/journals/index.php/mar/article/view/434
Museum Anthropology Review; Vol. 4 No. 1 (2010)
eng
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oai:ojs.scholarworks.iu.edu:article/1046
2016-04-06T07:22:47Z
mar:COM
nmb a2200000Iu 4500
1938-5145
dc
Traditional Culture: How Does it Work?
Noyes, Dorothy
The Ohio State University
Indiana University Press
2011-05-01 20:53:37
Commentary
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https://scholarworks.iu.edu/journals/index.php/mar/article/view/1046
Museum Anthropology Review; Vol. 5 No. 1-2 (2011)
eng
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oai:ojs.scholarworks.iu.edu:article/2035
2016-04-06T07:29:11Z
mar:COM
nmb a2200000Iu 4500
1938-5145
dc
Defining the Digital
Geismar, Haidy
Department of Anthropology, University College London
In this commentary, I explore the ways in which digital technologies provide specific forms for the circulation and return of museum collections. I argue that the affordances of continued translation, metadata, and the digital-analog interface constitute a particular sense of recursivity that structures community and museum engagements.
Indiana University Press
2014-01-12 00:00:00
Commentary
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https://scholarworks.iu.edu/journals/index.php/mar/article/view/2035
Museum Anthropology Review; Vol. 7 No. 1-2 (2013): After the Return: Digital Repatriation and the Circulation of Indigenous Knowledge
eng
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oai:ojs.scholarworks.iu.edu:article/3255
2017-05-16T22:16:33Z
mar:COM
nmb a2200000Iu 4500
"140715 2014 eng "
1938-5145
dc
Only the Voice of the Other: Science, Power, and Diversity’s Revolt in the Museum—A Manifesto of Sorts
Wood, W. Warner
University of Wisconsin-Milwaukee http://www4.uwm.edu/letsci/anthropology/faculty/wood.cfm
While the importance of including diverse perspectives in museum programming has received considerable attention in the cultural realm, the same cannot be said for environmental science topics. In science and natural history museums, exhibitions on issues such as global climate change and loss of biodiversity are frequently narrowly defined in relation to an equally narrow perception of what constitutes environmental science. Because the facts of science in museums are still largely told by science curators, the voices of non-scientists are largely absent on such issues. As museum professionals, we must work to ensure that a diversity of perspectives is represented on environmental issues in our museums and on the capacity of our publics to participate in the presentation of environmental topics. We must support the public’s collective “power-to” (as John Holloway has termed it) have a voice in environmental programming.
Indiana University Press
2014-07-21 08:33:27
Commentary
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https://scholarworks.iu.edu/journals/index.php/mar/article/view/3255
Museum Anthropology Review; Vol. 8 No. 1 (2014)
eng
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