Selling the Master (Piece by Piece): Enchanting Technologies and the Politics of Appreciation at the Bill Reid Gallery of Northwest Coast Art

Open Journal Systems

Journal Help

User

Journal Content Search
Browse

Font Size

Information

Current Issue

Article Tools

Print this article

Indexing metadata

How to cite item

Review policy

Email this article (Login required)

Selling the Master (Piece by Piece): Enchanting Technologies and the Politics of Appreciation at the Bill Reid Gallery of Northwest Coast Art

Aaron Glass

Abstract

This review essay is supplemented by a pair of Letters to the Editor-one by George Rammell and one by the author-that appear elsewhere (p. 105-106) in this issue.

Keywords

Bill Reid; Carving; Northwest Coast; Art Markets; Representation

Full Text: PDF

This work is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA.

IUScholarWorks Journals is supported by the IU Libraries and the IU Digital Library Program,
a collaborative effort of the IU Libraries and University Information Technology Services.

Username
Password
Remember me