Selling the Master (Piece by Piece): Enchanting Technologies and the Politics of Appreciation at the Bill Reid Gallery of Northwest Coast Art

Aaron Glass

Abstract


This review essay is supplemented by a pair of Letters to the Editor-one by George Rammell and one by the author-that appear elsewhere (p. 105-106) in this issue.

Keywords


Bill Reid; Carving; Northwest Coast; Art Markets; Representation

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