With guest editor Lynn Maners.
Table of Contents
| Contents |
PDF
|
|
AEER editor |
1-3 |
Special Issue Section
| Introduction |
PDF
|
|
Lynn Maners |
5-6 |
| The Last Dance |
PDF
|
|
László Kürti |
7-23 |
| From Banning to Commodity Incorporation: Binding, Bonding, and Banding in Eastern European Music |
PDF
|
|
Jeffrey Alyn Smith |
25-36 |
| Dancing Yourself, Dancing for Others: Performing Identity in a Transylvanian-Romanian Folkdance Ensemble |
PDF
|
|
Amy C. Mills |
37-49 |
| Transylvanian Dancing in the Final Hour |
PDF
|
|
Wayne B. Kraft |
51-59 |
| Reviving Moldova: Social and Political Dimensions of Contemporary Folkloric Performances |
PDF
|
|
Jennifer R. Cash |
61-76 |
| Broadcasting Ethnonational Exclusion and Inclusion: Two Musicians in Two Croatias |
PDF
|
|
Dickie Wallace |
77-83 |
| The Challenges of Applied Ethnology in Croatia |
PDF
|
|
Tvrtko Zebec |
85-92 |
| (Com)Passionately Political: Music of Djordje Balasević |
PDF
|
|
Brana Mijatovic |
93-102 |
| Turbo Folk and Dance Music in 1990s Serbia: Media, Ideology and the Production of Spectacle |
PDF
|
|
Ivana Kronja |
103-114 |
| Explorations on the Move: Dance in the Republic of Macedonia |
PDF
|
|
Gaelyn Aguilar |
115-124 |
| Signifying Self in Plural Cultural Contexts: Subjectivity, Power and Individual Agency in North-Western Greek Macedonia |
PDF
|
|
Ioannis Manos |
125-138 |
| Traditional Dance in Greece |
PDF
|
|
Yvonne Hunt |
139-143 |
| Men and Women Dancing in the Remembered Past of Podhale Poland |
PDF
|
|
Louise Wrazen |
145-154 |
| The Mysterious Voice! American Women Singing Bulgarian Songs |
PDF
|
|
Jamie Lynn Webster |
155-169 |
This work is licensed under a
Creative Commons Attribution 3.0 License.
